Showing posts with label Disney. Show all posts
Showing posts with label Disney. Show all posts

Fake Disney/ Royal Wedding Photos

17 May 2011

In my circle of friends, there are people of great skill, wit and intelligence. There are people who spend their weekends doing the cryptic Times Crossword, yell at the stupid contestants of University Challenge for being too slow, and are feared by pub quiz teams across the land.

However, when one of these fine people comes across a Disney related question, they all turn to me. (And this makes up for me spending most of my time nodding intelligently and frantically Wikipedia-ing in the toilet).

So it was this position as all round Disney Trivia Queen that led me, this week, to receiving no less than 22 emails with this image...



Despite being quite clearly a fake, this image went round the world faster than Susan Boyle. It's not a particularly good fake - actually, I don't think it was even meant to be a fake, more just funny comment about a terrible hat - but to clarify, here are the originals...



The images and positions are the same, but the colours are quite definitely not.

People make me laugh sometimes - I get asked to perform absolute miracles every day in Photoshop; (Sample: "can you just add this head (taken at 7pm) to this body (taken at 11am) - oh, I know one person it black and the other white, but can't you just 'shop' it? Shouldn't take more than a few minutes right? Isn't there just a button that does that...") and then the next day everyone is fooled by an MS Paint job!

...more Photoshop funnies

Making of Tangled

14 May 2011

Regular readers of this blog might remember my gushing over Disney’s Tangled a few months ago. It wasn’t gushing on the level of my Mary and Max review (which was in serious danger of embarrassing Niagra at one point) but I certainly made it clear that I felt Disney was back on track.

So imagine my delight when we found that there was to be a special ‘Making Of’ session with some of the creators in London Town!

(Probably I should’ve mentioned this before the event, but it was a bit of a last minute thing and frankly I could do without the competition for tickets).

Here’s the blurb:
Join Clay Kaytis (Animation Supervisor) and Mohit Kallianpur (Look and Lighting Director) as they share an insider's look at the challenges and triumphs faced from character creation through final composite. Starting with the establishment of ambitious and hopeful objectives, the story continues with hair-raising tales of experimentation, trial and error, and breakthroughs during the course of bringing ‘Tangled,’ the Studio’s 50th full-length animated feature, to the big screen.

This panel will provide an inside look at the challenges and triumphs faced from character creation through final composite.


And it was great. Clay Kaytis isn’t actually an animator that I’m familiar with, but he spoke with passion and clearly knows his stuff (although a large percentage of the talk revolved around how great my favourite animator Glen Keane is and how many times he saved the day). Tangled’s animation has more character than any of their recent films, so it was fascinating to watch that come to life through trial after trial.

Mohit Kallianpur was funny and managed to find the exact level of geekiness for the room (high). Despite spending my life animating (I actually honestly found myself animating in my sleep once) it still staggers me how much work goes in to a production like this, and the incredible detail that they go in to for everything. To maintain such high quality over the 4 years of a production and still be smiling at the end takes a very special type of person!

Tangled - Disney's back!

9 Feb 2011

In all honesty I've been completely dreading Tangled.

When it started production 8 years ago it was called Rapunzel and seemed like Disney were no longer ashamed of their fairy story roots. They had my favourite animator of all time (Glen Keane) in the director's chair and although it was CG, they really seemed to be trying to achieve something different with it.

Fast forward to a few days ago, and I was a nervous wreck of anticipation (ok, that's an exaggeration, but I did go through at least one finger nail). They'd changed the name to 'Tangled', demoted Glen Keane and pushed back the release date about a billion times. It seemed like they weren't sure about the appeal of the film, and that's never a good sign with Disney (Treasure Planet anyone?).

But it's actually a damned good film. It's funny, it's sad, it's beautiful, and it's memorable. It sits with the greats as a classic Disney film. And I don't mean that it's a film made by Disney, 'Tangled' is actually a Disney film.

And I can't give it higher praise than that.

Sure there were a couple of negatives; the music wasn't great, certainly wouldn't stand alone without the film like scores from Aladdin or Lion King; the ending could be considered slightly Beauty and the Beast; and the hair changes length from shot to shot with wild abandon...

But who cares?

Disney's back, and that's the best news I've had in a long time.Tangled review

The vital importance of Coke

2 Feb 2010

As I was working frantically (read: browsing lazily) on the internet today, I came across this advert for Coke from the 1950s which I found so hilariously funny that I had to share it with as many people as I could.


(Click to enlarge)

Just remember that it's never too soon to start your baby on a diet of caffeine and cocaine!

It did remind me though of some Disney films that were made during the war for various Government campaigns. I did my dissertation on the difference in war time propaganda films produced in Britain and America, and watched some creations from the Disney studio that no fan should ever have to see! One film that I stumbled upon during this time (although it didn't make it in to the dissertation) was called The Winged Scourge. It was made in 1943, and uses the Seven Dwarves to warn people against the risk of Malaria, and to inform them that the best method for reducing the risk was to... wait for it... pour oil on to every water source.



Scary huh!

And this film was just one of a great many films that the Disney studios produced during the war (despite the fact that nearly one third of their staff were drafted.)

There's a great DVD collection called Disney on the Front Lines which includes about 30 short films made about the war effort and introduced thoughtfully by film historian and mega Disney nerd Leonard Maltin.

Several of the films have not been seen since their initial release; and others were never shown to the general public. Many of the wartime entertainment shorts are largely propaganda, and many are educational. Donald's nightmare of working on a Nazi assembly line in "Der Fuehrer's Face" is still hilarious slapstick. The grimmer "Education for Death" and "Chicken Little" have aged less gracefully (and considerably less politically correctly!!).

It's a scary collection, but it's also fascinating for anyone with an interest in Disney, animation, the war, propaganda or the changing acceptability of gratuitous racism and health policies which actively push to destroy the environment.

Disney's Rapunzel - concept art

2 Jan 2010

Rumours about Rapunzel have been circling the internet for many years now, and slowly the excitement inside me has been growing to a fever pitch that now threatens to explode at the merest mention of the film.

Why am I so excited? Because Glen Keane; THE Glen Keane, the master animator responsible for Aladdin, Tarzan, Ariel, and above all the Beast, is directing. If that's not enough to transform any self respecting animator in to a puddle of excitement then frankly I don't know what is.

Glen Keane has always been my favourite animator. Even when I had no idea that the same guy animated so many of my favourite characters, they still stood above the rest as examples of perfect characterization and life. It's Tarzan and the Beast that particularly impress - watch the way they move, so powerful, so controlled and so perfectly fitting their personalities and histories. They aren't particularly vocal characters either, so all of their emotion and storytelling had to come from the animation.

"Tarzan is defined by how he moves, more than how he speaks. It's like Bambi. There are scenes in Bambi where there is no dialog. There's just a deer moving. And it stops. It's ears move. It turns. It's fascinating watching the deer move. With Tarzan, a story sketch may have shown him going from here to there, but it was the actual animation of going from here to there that was a beautiful thing to watch; to see him move like an animal. It brought Tarzan to life."
Interview with Glen Keane

Even though Keane is no longer directing the film (Nathan Greno and Brian Howard (from Bolt) took over directing duties in 2009) he has still been responsible for the unique visuals of the film, and developing the technology to help them realise his dreams for a fully textured 3d environment based on the art of Jean-Honoré Fragonard. By using non-photorealistic rendering, the movie will seem almost painted on the screen, while still allowing the depth and three-dimensional aspects of modern animation.



“The Swing,” by French Rococo artist Jean-HonorĂ© Fragonard.

So the film is 3D, but it's been made to look like it's 2D. Here's some of the concept art that Disney have released for the film that they've described as... "a stunning CG fantasy world complete with the iconic tower, an evil witch, a gallant hero and, of course, the mysterious girl with the long golden tresses. Expect adventure, heart, humor, and hair, lots of hair.”












It's due out this summer, and I guess I have little choice but to wait until then. It's worth mentioning that Glen Keane has a wonderful blog which has sketches and frames from all of his most famous creations. I can't recommend the site enough to any aspiring animator, his pencil sketches alone are well worth checking out.

He's written a book called 'Creating Characters With Personality', which gives detailed advice from the master and is available from all good bookstores. There's also new book by him called 'The Art of the Disney Princess' which I haven't actually read yet (although my birthday is coming up, and full details can be found on my wishlist). I'm sure it will be well worth a perusal.

RIP Roy E Disney, the world of animation will miss you

17 Dec 2009

The world of animation has lost one of it's greatest and most passionate individuals. Roy E Disney, nephew to Walt Disney lost his year long battle with stomach cancer and died yesterday, 16th December, aged 79.

Roy will always be remembered as the man who twice stepped in and prevented the Disney corporation from being consumed by their own greed and success. He twice ousted Directors who no longer had the companies best interests at heart, and he resurrected the dying company from the embers of what it had once been into the creator of such modern classics as Lion King, Beauty and the Beast, and Aladdin.

Born just one year after Steamboat Willie was such a huge success for the company, Roy has been a Disney legend and an animation stalwart for his entire life. When he was a child he was often invited in by his Uncle and Father (Walt and Roy O Disney, the 2 founders of the studio) to judge whether they were appealing to their target audience. He ousted Walt's Son-in-law Frank Miller when he felt that the studio was not being true to his Uncle's wishes, and he ousted Mike Eisner when he became a power hungry, money obsessed and possibly slightly crazy (check out DisneyWars) beast.

Roy was the corporation's last link with their founders, and to the end he remained his Uncle's voice; their Jiminy Cricket, whistling at the new custodians if they were deviating from the legacy that Walt and Roy O left.

"On behalf of everyone at Disney, we are saddened by the loss of our friend and colleague Roy E. Disney. Roy’s commitment to the art of animation was unparalleled and will always remain his personal legacy and one of his greatest contributions to Disney’s past, present and future." Bob Iger

The Princess and the Frog

15 Dec 2009

I cannot even begin to tell you how excited I am about the new Disney film 'The Princess and the Frog.' Not only is it a return to Disney's roots, it also seems to be an acknowledgment from the studio that they are not ashamed of their target audience. For Princess and the Frog is a fairy story, and what's more, it's an all signing all dancing princess related fairy story in classic Disney style, so if you haven't seen it yet, watch and adore...



For too long now Disney have been trying to break away from the type of films that made them so beloved by audiences all over the world. First it was Atlantis trying to emulate the increasingly popular art form Manga, and then it was Treasure Planet trying to get the teenage boy market. I don't even have a clue what they were trying to do with Home on the Range!

It was such a pity that this run of poor films (and I'm not including Lilo and Stitch in that assessment) coincided with the emergence of 3D, because it led audiences and studio executives to believe that 2D was the past and was no longer relevant to a world in which both films and games and judged primarily on how close to reality they look. So I have all of my fingers and all of my toes crossed that Princess and the Frog is an unashamed return to classic form, and that Disney embraces the loyal audience that it does have, rather than chasing after new ones.